The poem “I don’t like your irony” is part of the “Panaev's cycle”. This is Nekrasov's love letter to his beloved woman, with whom he had a strong quarrel at some point. A brief analysis “I don’t like your irony” according to the plan can become part of a literature lesson in grade 9 and help the student to better understand the poet as a person.

Brief analysis

History of creation- the poem “I don’t like your irony” was created in 1850 (presumably), and was published only five years later, in 1855, in “Sovremennik”. A year later (in 1856) Nekrasov included it in a collection of poetry.

Poem theme- fading and cooling of feelings as a natural stage in the development of relationships between lovers.

Composition- each stanza is part of a description of a sad situation in a relationship, the action develops sequentially.

genre- love lyrics.

Poetic size- iambic and pyrrhic, each stanza uses its own rhyme.

Metaphors – “dearly in love ”,“ jealous anxieties and dreams are boiling ”,“ we are boiling stronger ”,“ full of the last thirst ”,“ secret cold and longing of the heart ”.

Epithets – "Jealous anxieties", "inevitable denouement", "last thirst", "secret cold".

Comparison

History of creation

Nekrasov's relationship with Avdotya Panaeva has never been easy. In fact, the couple lived in a civil marriage with the consent of the woman's husband, the frivolous womanizer Ivan Panaev. The romance between them began in 1846, and the poem “I don’t love your irony” was written in 1850 - they will be together for another sixteen years, but Nekrasov was already seized with a premonition of the end.

This poem was first published in 1855 - it was published in the Sovremennik magazine, which the poet owned together with Ivan Panaev. In 1856, Nekrasov published a collection of poetry, which included this work.

It fully reflects the essence of the uneven relationship of lovers: despite the mutual feeling, the connection outside of marriage greatly weighed them down, and the difficult character of Avdotya became a catalyst for frequent quarrels. One of these situations Nekrasov describes in poetic form - they always sorted out the relationship violently, and temporary cooling of the relationship happened, but it was this moment that showed the poet that their love would end someday.

Theme

The main theme of the verse is a quarrel between lovers, when their relationship has developed to the point that feelings gradually begin to fade away, the cooling of the once seething passion begins.

At the same time, Nekrasov expresses the idea that only love can give a person a real taste for life, so it must be protected and done especially carefully when the first signs of extinction appear. The lyrical hero expresses this idea, referring to his beloved, who, obviously, expressed some insulting remark in his address.

Composition

The poem consists of three stanzas, each of which expresses its own thought, but they are all part of a consistently unfolding idea.

So, in the first stanza, the lyric hero admits that in mutual feeling there is no longer the same fire, but he believes that this is not a reason to be ironic, because love is still alive, which means that it can be preserved.

In the second stanza, this idea develops - both the man and the woman want to be together, but both already understand that the inevitable outcome of their story will be the extinction of the relationship.

The third stanza shows that the lyric hero has ceased to believe that the relationship can still be extended, he understands that conflicts and scandals are inevitable signs that the cold of a break is already very close.

genre

This work belongs to the genre of intimate lyrics. It is part of what literary scholars call the “Panayevsky cycle,” in which Nekrasov turns to the theme of feelings.

In addition, Nekrasov uses an unusual and innovative technique for his time in the rhythmic drawing of verse. Despite the fact that the work was written in iambic, it very often breaks down into pyrrhic, which makes the rhythm similar to the breathing of an agitated person - ragged and uneven.

The effect is enhanced by the rhyme - the ring is replaced by a cross, and in the last stanza the cross is mixed with the adjacent one. This disorder fully reflects the inner rebellion of the lyric hero.

Expression tools

In order to convey the feelings of the lyric hero, the poet uses a variety of expressive means:

• Metaphors- “dearly in love”, “jealous anxieties and dreams are boiling”, “we are boiling stronger”, “full of the last thirst”, “secret cold and longing of the heart”.
• Epithets- “jealous anxiety”, “inevitable denouement”, “last thirst”, “secret cold”.
• Comparison- feelings before parting are like an autumn river: the most turbulent waters flow before it freezes.

Poem test

Analysis rating

Average rating: 4.1. Total ratings received: 18.

N. Nekrasov, like V. Mayakovsky, is considered by many to be only a "political" poet, a fighter for the civil rights of ordinary people. But even if there can be a dispute about the poetic meaning of Nekrasov's "civil" poems, the disagreements are significantly smoothed out and sometimes even disappear when it comes to Nekrasov as ethics and lyrics.
I do not like your irony.
Leave her outdated and not alive
And to you and me, who loved so dearly ... The fierce singer of grief and suffering was completely transformed, became surprisingly gentle, gentle, gentle, as soon as it touched women and children.
Still shy and tender
You wish to extend the date
While still seething in me rebelliously
Jealous worries and dreams -
Don't rush the inevitable denouement!
Nekrasov's lyricism arose on the fertile soil of burning and strong passions that possessed him, and a sincere consciousness of his moral imperfection. To a certain extent, the living soul in Nekrasov was saved by his "guilt", about which he often spoke, referring to the portraits of friends, "reproachfully from the walls" looking at him. His moral shortcomings gave him a living and immediate source of impetuous love and a thirst for purification. The strength of Nekrasov's appeals is psychologically explained by the fact that he worked in moments of sincere repentance. Who forced him to talk with such force about his moral failings, why was it necessary to expose himself from the disadvantageous side? But obviously it was stronger than him. The poet felt that repentance calls out the best pearls from the bottom of his soul, and surrendered himself entirely to a spiritual impulse.
We boil harder, full of the last thirst,
But in the heart there is a secret cold and longing ...
So the river is more turbulent in autumn,
But the raging waves are colder ...
The power of feeling arouses enduring interest in the lyric poems of Nekrasov - and these poems, along with poems, for a long time ensured him a paramount place in Russian literature. His accusatory satires are now outdated, but from the lyric poems and poems of Nekrasov, one can compose a volume of highly artistic dignity, the meaning of which will not die while the Russian language is alive.

In 1850 Nekrasov wrote a poem entitled "I do not like your irony." Five years later it was published in the Sovremennik magazine, a year later the writer included it in a collection of poems. This work was written as an appeal to Avdotya Panaeva, then the poet was madly in love with her. The romance of these two personalities began in 1846 and lasted for about twenty years. However, their love did not end with a real marriage, so if you disassemble the verse, you can consider the work "I do not love your irony" a prophecy.

Avdotya was the wife of a friend of the writer Ivan Panaev; these two men, side by side, revived the contemporary magazine. In 1847, Panaev and his wife and Nekrasov began to live together, the husband recognized their love and allowed her to live in a civil marriage. Although this connection embarrassed them, they were so close to each other that they put up with such a life. Relationships were not so good for people, they had quarrels, when for a certain time the couple even cooled off to each other.

Verse "I do not like your irony"

This work is written in intimate lyrics, it is part of the Panaev cycle of Nekrasov's life. It tells about love relationships and describes in detail the reasons for changes and other variations in communication between the characters. The verse tells about the development of love relationships, as well as all sorts of troubles in them, the fading and complete cooling of feelings between the characters.

The main idea of ​​this work is love, that this is real life. Such a warm feeling needs to be cherished and taken care of, because if you show some kind of weakness, you can lose love and feelings will simply fade away. The poem itself narrates the author's appeal to his beloved. The reason for the narration of this story was the ridicule of the beloved and her irony in relation to the author.

If you analyze the verse, then it should be noted in the first stanza the recognition of the lyrical hero that after all his feelings are fading away, that the once insane and bright love turns from warm to cold. The irony here is provided for those people who have never loved or have already passed their love.

The second stanza describes the current state of the couple's relationship. Now the woman is a little shy and at the same time very tenderly shows a desire to extend the date, and in the heart of the hero himself there is jealousy, anxiety and dreams. This is followed by a proposal that the final outcome will still be the extinction of love. In the last stanza, the hero no longer harbors illusions. He knows that it is pointless to hope for a continuation of the relationship. Therefore, the end of this whole love story will serve as scandals and conflicts, and that in this situation, the heart has already cooled to each other.

Trails, images

In verse, there is a confrontation between cold and hot, boiling and icing. Love is described here in many metaphors: "those who love ardently, jealous anxieties and dreams are seething, we are seething stronger, full of the last thirst." Also in the verses there are many metaphors of indifference, for example, "longing of the heart." The author compares the feelings preceded by cooling with the river, which begins to boil in autumn more strongly, although it is already cold.

Thus, here it should be noted the unequalness of feelings, they are distinguished by both cold and warmth. The river will boil for a while. But in the end it will freeze anyway. Also in the work there is an unfinished thought, this can be judged by the ellipsis, which is left at the end of the verse. For the attention of his beloved, the author compares their feelings to a seething river.

Also in the poem epithets are clearly expressed, which are of no small importance. They appear in negative colors: "jealous anxieties and dreams, the last thirst, the inevitable denouement, secret cold." Also, they are opposed by other epithets already in a positive coloration: "you who loved dearly, you wish shyly and tenderly, they boil rebelliously." In the lines of the actions of the lyrical heroes, the author means love, however, it is accompanied by such a state in which they are deprived of feelings.

Size, rhyme

These two designations are presented in the poem in a very unusual light. The size is made in iambic pentameter, but there are many pyrrhicles, so the rhythm gets lost, you can compare this with a person who speaks, but is very worried, so he cannot even breathing. This effect can be seen very clearly in the last line of the first stanza.

In a poem, each stanza consists of five lines, the rhyme is different. So in the first stanza it is in the form of a ring. In the second part it is cross, and the third one alternates between the last and the adjacent one. Such disorder can be compared with the inner state of the lyric hero. In general, we can say that the rhyme differs here to a large extent, even if we compare the masculine and feminine.

Basic moments

The poem "I do not like your irony" forms a single lyrical diary, which reflects the shades of feelings of the hero himself. The work itself belongs to love lyrics and reflects a certain moment in the life of a person in love. Here are all his experiences, anxiety, so there is no specific event and history, but only a description of feelings. The poem begins without an overture:

I do not like your irony,
Leave her outdated and not alive
And you and I, who loved so dearly,
Still the remainder of the feeling preserved -
It's too early for us to indulge in it!

After that, the reader is presented with the dynamics of all anxieties and experiences that lead to discord in the life of the hero in love, the denouement sneaks up quietly, but it will be inevitable:

Still shy and tender
You wish to extend the date
While still seething in me rebelliously
Jealous worries and dreams -
Do not rush the inevitable denouement.

In the second stanza, anaphora greatly contributes to emotionality. Thus, the repetition of two lines in the text puts a significant emotional burden on the text. Also, the parallelism of the word "bye" increases and each sentence enhances expressiveness. In the climactic stanza, the lyrical hero denotes his relationship with his beloved as seething and boiling, which leads to complete extinction:

So the river is more turbulent in autumn,
But the raging waves are colder ...

This poem very accurately conveys the entire process of the hero's spiritual life, where notes of confession can be traced. Readers know Nekrasov as a people's sufferer who follows the people and tries to show the public the tragedy of the situation. However, in this poem the author is presented in a completely different light, so many critics have compared Nekrasov with Pushkin.

Analysis details

Like many writers, Nekrasov was no exception and wrote his poem about love, which he got pretty good. The author dedicated this verse to his love, here Nekrasov described all his feelings and experiences. It is based on the moment when the hot feelings of mad love at a certain moment cool down and completely disappear. Apparently, this factor significantly influenced the hero and brought him a lot of torment. Here, with great fondness, he recalls the old days when they dearly loved each other, but there are also many contradictions.

In this poem, it seems that the hero, with his last hope, calls on his beloved to hear him. The author understands that completely different feelings are already arising and describes the consequences that may occur. Here the hero rebels against the word of irony that arose between two loving hearts. Such a feeling, according to the author, can arise only at the very end of a relationship. It is precisely his position and thoughts that the author expresses on behalf of the hero, who, in turn, describes the great role of understanding and sincerity between the heroine herself and him.

So the character compares his feelings to a fire that burns and is ready to burn everything around. However, a loving lady no longer feels it and she has only a remnant of this sincerity. The hero also understands that all this is his fault, it is for him that love has cooled and has ceased to be so hot. Then comes the culminating moment in the last stanza, where it is described that only a fading boil remains of love, and in the very heart there is coldness with longing. The poem using iambic pentameter uses female and male endings. This work is very typical for Nekrasov, it helps to recognize him from a completely different side.

I do not like your irony analysis of Nekrasov's poem according to plan

1. History of creation... The work "I do not like your irony" (1850) N. dedicated to his common-law wife - A. Panaeva. Probably because of its deep intimacy, the poem was published only in 1855 (Sovremennik magazine).

2. Genre of the poem- love lyrics.

3. Main theme works - the inevitable extinction of love feelings. Nekrasov lived with his beloved and her lawful husband, Ivan Panaev. This strange "love triangle" endlessly surprised and shocked St. Petersburg society. The poet was openly laughed at. Nekrasov was very upset about his uncertain situation. He understood that in this form, relations with Panaeva could not be strong.

The poet often had fits of furious jealousy, leading to quarrels and scandals. Panaeva was ironic about the torment of Nekrasov, as stated in the very title of the poem. The poet pleadingly urges his beloved not to forget about her former passion ("who loved so dearly"). For him, the memory of a happy past remains the key to the continuation of the relationship.

Nekrasov feels that all is not lost yet. The beloved behaves "shyly and tenderly", as if on the very first date. The poet's own soul is overwhelmed by "jealous anxieties and dreams." At the same time, the author understands that very soon the strange couple will still have to part. His only request to his beloved is to postpone the "inevitable denouement" for as long as possible.

The lyrical hero compares the fading love with "the last thirst". The violent manifestation of sensual passion hides "secret coldness and longing" in the hearts. The poet uses an even more vivid image - an autumn stormy river with icy water.

4. Composition of the poem consistent.

5. The size of the piece- iambic pentameter with a broken rhythm. Mixed rhyme: circular, cross and adjacent.

6. Expressive means... The suffering of the lyrical hero is emphasized by negative epithets: "jealous", "inevitable", "last." They are contrasted with adverbial epithets: "hot", "shy and tender." The entire work as a whole is built on the opposition: "obsolete and undelivered" - "loved", "dreams" - "denouement", "the river is more turbulent" - "colder ... waves".

Significant emotional stress is contained in metaphors ("seething ... anxieties and dreams", "last thirst") and the comparison of love with a stormy river. The first two stanzas represent a direct appeal of the lyric hero to his beloved woman ("leave her", "you wish").

The deeply personal character of this address is reinforced by the exclamations. In the last stanza, the author resigns himself to the future "inevitable denouement." Pleading gives way to sad summing up. The dots are reminiscent of the forced pauses between the sobs of the lyric hero.

7. Main idea poems - love, unfortunately, is not eternal. Even the strongest passion will grow cold over the years. Foreseeing parting, lovers should take advantage of every minute of gradually burning out feelings.

"I do not like your irony ..." Nikolay Nekrasov

I do not like your irony.
Leave her outdated and not alive
And you and I, who loved so dearly,
Still retained the remainder of the feeling, -
It's too early for us to indulge in it!

Still shy and tender
You wish to extend the date
While still seething in me rebelliously
Jealous worries and dreams -
Don't rush the inevitable denouement!

And without that it is not far away:
We boil harder, full of the last thirst,
But in the heart there is a secret cold and longing ...
So the river is more turbulent in autumn,
But the raging waves are colder ...

Analysis of Nekrasov's poem "I do not like your irony ..."

In 1842, Nikolai Nekrasov met Avdotya Panaeva, the writer's wife, in whose house writers often gathered. This woman, who possesses not only a journalistic gift, but also an outstanding appearance, literally captivated the aspiring poet. However, many regulars of the literary salon fell victim to Panaeva's charms, but she reciprocated only Nekrasov.

This romance lasted almost 20 years, bringing a lot of suffering not only to the lovers, but also to the wife of Panaeva. He was forced to become not only a member of the love triangle, but also lived under the same roof with his wife and her chosen one. However, after the death of the child, who was born to Panaeva from Nekrasov in 1849, the relationship between the lovers began to cool down.

In 1850, realizing that the gap is inevitable, Nekrasov created the poem "I do not like your irony ...", dedicated to the relationship with the chosen one. He notes that he once had very tender feelings for this woman, who was no less deeply in love with the poet. However, time can not only smooth out hatred, but also destroy love. This is what, according to Nekrasov, happened after the death of the baby, as if some invisible thread was torn, connecting two people. The poet realizes that love has not yet completely faded away, noting: "For the time being, you wish to extend the date shyly and tenderly." But all the signs of the impending separation have already shown themselves, and the author understands that no one can turn back the clock. He asks only one thing from his chosen one: "Don't rush the inevitable outcome!"

There is no doubt that it will soon come, although Nekrasov notes that both of them are still "full of the last thirst." But the irony of the beloved, who does not like the poet so much, indicates better than any words that this novel will very soon end in parting, because “a secret cold and longing settled in the heart after the death of his son.

True, Nikolai Nekrasov tried with all his might to save this contradictory union, so it broke up only in the early 60s. Moreover, this happened contrary to the expectations of the poet, who hoped that the death of her husband Panayeva would force her to reconsider her views on the relationship with the poet. Nevertheless, this woman did not begin to associate her future life with Nekrasov, deciding to remain free and no longer marry, which the poet hoped for. As a result, the couple broke up, which was predicted by the author, who in the depths of his soul hoped that Panaeva would nevertheless marry him.

Nekrasov's poetry is distinguished by the desire to ennoble the soul and revive a good beginning in the soul of every reader. This desire is most clearly reflected in the poet's lyrics dedicated to real friends and beloved women.

In 1842 the poet Nekrasov met Avdotya Panaeva, the wife of a friend of the poet, writer Ivan Panaev, with whom he revived the Sovremennik magazine. The first meeting between Avdotya and Nikolai took place in her house, where literary figures often gathered in the evenings.

The poet fell in love with a woman at first sight: he was struck not only by her attractive appearance, but also by her special achievements in journalism. Panaeva accepted signs of attention from Nekrasov and a whirlwind romance began. And since 1847 Avdotya, her husband and Nekrasov began to live under one roof. Ivan himself agreed that his friend was the common law husband of his lawful wife and lived with them in the same house. So Ivan wanted to save the marriage, believing that this relationship would not last long. However, in this Panaev was not right: Nekrasov's romance with Avdotya lasted almost twenty years. But the relationship between the lovers was not smooth, they often quarreled. As a result, the romance did not end with a legal union. The break in relations occurred after the death of a child born to Avdotya from the poet.

In 1850, Nekrasov realizes that it is impossible to return the fervor of the former relationship. As a result of a long painful novel for all, he writes the poem "I do not like your irony." In it, the poet noted that he used to torture tremendous feelings for one woman. The passion for her also intensified from the belief that his chosen one loved the poet just as much. But time is ready not only to create, but also to destroy. It can destroy love.

Nekrasov believes that this happened after the death of their common child. It seems that the death of the baby broke the invisible thread between the lovers, and they began to move away from each other. But the poet understands that love still has not died out completely, but everything around says that separation is inevitably on the verge. The hero asks his chosen one only to rush this minute. He does not like the irony of his beloved, because she says better than any confession that the novel will soon come to an end.

This poem is built on oppositions. The image of love is created using a metaphor that compares feelings to a boiling stream. Indeed, in reality, the relationship between Panaeva and Nekrasov flared up sharply, seethed and, having exhausted themselves, cooled down, as if all the water from a boiling vessel had poured out, and it was empty.

The poem has a logical conclusion even without a short ending, in front of which the author has put an ellipsis. The juxtaposition of love with a river is the last proof that the poet brought to try to reach an understanding of the chosen one.

Epithets such as "jealous anxieties" play an important role here. Each of them has a negative rating. They are opposed to positive epithets, such as "dearly desire." This neighborhood hints at constant mood swings in a couple in love.

Nekrasov sees the actions of a man and a woman as an active manifestation of love, but the poet considers the state of mind described by the words "anxiety" and "thirst" to be without the desired feeling.

It is worth paying attention to the unusual rhythm and rhyme. The poem is written with iambic pentameter. However, there are so many pyrrhicas here that the rhythm is lost, as if an overly agitated man is holding his breath. This feeling is enhanced by the short ending line at the beginning.

Nekrasov is a master of words. In just fifteen lines, he managed to tell the reader the love story of two people who lost it, confusing a high feeling with low passions.

In addition to socially oriented poetry, in the soul of N.A.Nekrasov there was always a place for feelings of a personal nature. He loved and was loved. This was reflected in a group of poems, which are commonly called the "Panayevsky cycle". An example would be the poem "I do not like your irony ...". The analysis will be given below, but for now let's briefly get acquainted with his lyrical heroine.

Avdotya Panaeva

A charming intelligent woman whom her parents hastily married off, because the girl with all her soul strove for emancipation. She imitated striving to put on men's clothes and - oh, horror! - painted on a mustache! They married the journalist Ivan Panaev, who was not distinguished by loyalty and did not hinder the freedom of his wife.

A brilliant literary society gathered in their salon, and everyone was in love with the beautiful and clever Avdotya Yakovlevna. But she answered, far from immediately, only to the insane, crazy feelings of Nikolai Alekseevich, who, unable to swim, drowned himself in front of her eyes in the Fontanka. Thus began a great feeling that lasted for about twenty years. But everything ends in the world. And when feelings began to cool down, Nikolai Alekseevich wrote: "I do not like your irony ...". The analysis of the poem will be carried out according to plan.

History of creation

Presumably it was written already five years after the beginning of close relations in 1850, and published in Sovremennik in 1855. What could serve to cool down such stormy feelings? After all, A. Ya. Panaeva herself wrote poems about them. Let's try to reflect on the lines of Nikolai Alekseevich "I do not like your irony ...", the analysis of which is included in our task.

Poem genre

This is the intimate lyrics of a great civil poet.

The work tells about the incipient feelings in the past tense, about their state and the inevitable denouement and supposed break in the present tense. Apparently, their relationship became familiar and monotonous and did not provide such abundant food for inspiration as civic poetry. Therefore, in relations, irony began to appear on the part of Avdotya Yakovlevna, which only aggravated the coldness on the part of Nekrasov. This is how the poem "I do not like your irony ..." appeared, the analysis of which we begin. But the poet must be given his due, he directly and delicately told his chosen one that it was in her behavior that he did not like, without hiding anything.

The theme was the emergence of love, its gradual dying and complete cooling.

The main idea is that love must be carefully cherished, since this feeling is rare and not given to everyone.

Composition

ON. Nekrasov divided into three stanzas "I do not like your irony ...". Naturally, we will begin the analysis of the poem with the first.

The lyrical hero addresses directly and simply to a close woman and asks to stop being ironic in conversations with him. Apparently, the sharp-tongued Avdotya Yakovlevna could not restrain herself when something was not to her liking, when she saw something disrespectful or inattentive to herself. According to the lyric hero, irony should belong only to those who have experienced their attractions or have never met them. And in both of them, who loved so ardently, there were still tongues of the flame of love, and they warm the soul. It is too early for them to indulge in irony: they must carefully preserve what they have today.

In the second stanza of the poem "I do not like your irony ..." Nekrasov (we are now conducting an analysis) shows the behavior of his beloved woman. She also seeks to extend their dates "shyly and tenderly."

She, very feminine, is still devoted to him in her heart and cannot live without these meetings. And he? He is full of passion. The lyrical hero is still hot and ardent, "jealous dreams" are rebelliously boiling in him. Therefore, he asks not to be ironic and not to speed up the denouement. All the same, she will inevitably come to them, but let the beautiful relationship last longer.

The third stanza is quite sad. The poet does not hide from himself or from his beloved that their parting will come soon. Their passions are boiling over. They are full of the last thirst for love, but "there is a secret cold and longing in their hearts." The lyrical hero states this fact with bitterness. But you can't hide from him. Therefore, irony should not destroy the former beautiful and painful, tender passion.

The irony, which initially contains a mockery, offends the lyrical hero, which is why he says: “I don’t like your irony ...”. Analysis of the poem reveals the hidden context of Avdotya Yakovlevna's statements and the direct, sincere words of the lyric hero. He urges his lady of the heart not to demonstrate his negative position with regard to and without reason, but to express sympathy and understanding to him.

Analysis of the verse "I do not like your irony ..."

The poem is written in iambic pentameter, but there are a lot of omissions of stress (pyrrhic). They convey to the reader the poet's excitement. For example, the first line in the first stanza begins with pyrrhic, and it ends with it, and is underlined with an exclamation mark.

Each stanza has five lines, but the rhymes in each stanza are different. The poet uses a circular (first stanza), cross (second stanza), mixed (third). The inner confusion of the lyrical hero is fully manifested in this way.

The poem is built on contrasts. It contrasts cold and hot, boiling and icing. Metaphorically, love is compared with the seething flow of a river, "but the raging waves are colder ...".

These final lines are followed by a significant ellipsis. The river boils, but it will freeze all the same, and the cold shackles both of them, "dearly in love." The former seething tenderness and passion of the relationship is metaphorically opposed to "secret cold and longing."

The epithets have a negative connotation: an inevitable denouement, jealous anxieties, the last thirst. Others, on the contrary, are colored positively: feelings "rebelliously" boil, the beloved is waiting for a date "shyly and tenderly."

Epilogue

Nekrasov and Panaeva parted. Then her husband died, then she lived alone, and after that she happily married and gave birth to a child. However, the poet loved Panaeva and, despite his marriage, dedicated his poems to her ("Three Elegies") and mentioned it in his will.

The poem "I do not like your irony" was written by Nekrasov presumably in 1850, published in the journal "Sovremennik" No. 11 for 1855. It is included in the collection of poems in 1856.

The poem is addressed to Avdotya Panaeva, with whom Nekrasov was in love. Their romance, which began in 1846 and lasted almost two decades, never ended in legal marriage. In this sense, the poem "I do not like your irony" is prophetic.

Avdotya Panaeva was the wife of Nekrasov's friend Ivan Panaev, with whom they revived Sovremennik together. Since 1847, the trinity lived together, Nekrasov, with the consent of the windy Ivan, became the common-law husband of Panaeva. Both were weighed down by this connection, although they loved each other.

Relations between Nekrasov and Panaeva were uneven. There were stormy showdowns, temporary cooling to each other. The poem is about this.

Literary direction, genre

The poem “I don’t like your irony” refers to intimate lyrics and is part of the so-called “Panaev's cycle”. It tells about the development of love relationships, realistically explaining the internal causes of external changes in communication.

Theme, main idea and composition

The theme of the poem is the development of love relationships, the fading and cooling of feelings.

The main idea: only love is real life, so love must be protected, one must take care of its preservation, having noticed the first signs of extinction.

A poem is an appeal to a beloved. The reason for the appeal was the mockery, the irony of the beloved in relation to the lyrical hero.

In the first stanza, the lyrical hero admits that his feelings are fading away, that once hot love only flickers in his heart. Irony, from the point of view of the lyrical hero, is characteristic of those who have outlived and have not lived, that is, those who did not love at all or no longer love.

In the second stanza, the lyric hero describes the current state of relations: the woman shyly and tenderly wants to prolong the date, in the heart of the lyric hero "jealous anxieties and dreams are boiling." But love is fading away, which is conveyed by the words "for now." The last line of the second stanza calls the extinction of love an inevitable denouement.

In the last stanza, the lyrical hero no longer harbors illusions, does not hope for the continuation of the relationship, which he calls for in the first two stanzas, using exclamation sentences. Scandals and conflicts are a sign of the end of a relationship, when there is already "secret cold and longing" in the heart.

Trails and images

The poem is based on the opposition of cold and hot, boiling and icing. Love is like a boiling stormy stream, which is described using metaphors: dearly in love, jealous anxieties and dreams are boiling, we are boiling stronger, full of the last thirst... Feeling opposed secret cold and longing hearts (a metaphor for indifference).

Feelings preceding cooling, Nekrasov compares with the river, which boils more in autumn, although it becomes colder. Thus, the strength of feelings (storminess) is not equivalent for the lyrical hero to their quality (warmth or coldness). The river will chill and freeze, so will love.

The poem has a complete thought without the last two lines, which are preceded by an ellipsis. Comparison of feelings with a stormy river is the last argument that the lyrical hero makes in order to achieve understanding of his beloved.

Epithets are of great importance in the poem. All of them are negatively colored: jealous anxieties and dreams, final thirst, inevitable denouement, secret cold... They are contrasted with adverbial epithets with a positive coloration: dearly loved, you wish shyly and tenderly, boil rebelliously... The lyrical hero perceives the actions of the heroes as a manifestation of love, but states ( anxiety, thirst, denouement) considers deprived of the desired feeling. This is how the idea of ​​the poem works at the linguistic level.

Size and rhyme

The poem has an unusual rhythmic organization and rhyme. The size is defined as iambic pentameter, but there are so many pyrrhichia that the rhythm is disturbed, like in a person who cannot even breathing out of excitement. The shortened last line in the first stanza contributes to this effect.

Each stanza consists of 5 lines, the rhyme in each stanza is different. In the first stanza it is circular, in the second it is cross, in the third, the cross alternates with the adjacent one. This disorder corresponds to the inner rebellion of the lyrical hero. The male rhyme alternates with the female one, too, randomly due to different rhymes.

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Nekrasov's poetry is distinguished by the desire to ennoble the soul and revive a good beginning in the soul of every reader. This desire is most clearly reflected in the poet's lyrics dedicated to real friends and beloved women.

In 1842 the poet Nekrasov met Avdotya Panaeva, the wife of a friend of the poet, writer Ivan Panaev, with whom he revived the Sovremennik magazine. The first meeting between Avdotya and Nikolai took place in her house, where literary figures often gathered in the evenings.

The poet fell in love with a woman at first sight: he was struck not only by her attractive appearance, but also by her special achievements in journalism. Panaeva accepted signs of attention from Nekrasov and a whirlwind romance began. And since 1847 Avdotya, her husband and Nekrasov began to live under one roof. Ivan himself agreed that his friend was the common law husband of his lawful wife and lived with them in the same house. So Ivan wanted to save the marriage, believing that this relationship would not last long. However, in this Panaev was not right: Nekrasov's romance with Avdotya lasted almost twenty years. But the relationship between the lovers was not smooth, they often quarreled. As a result, the romance did not end with a legal union. The break in relations occurred after the death of a child born to Avdotya from the poet.

In 1850, Nekrasov realizes that it is impossible to return the fervor of the former relationship. As a result of a long painful novel for all, he writes the poem "I do not like your irony." In it, the poet noted that he used to torture tremendous feelings for one woman. The passion for her also intensified from the belief that his chosen one loved the poet just as much. But time is ready not only to create, but also to destroy. It can destroy love.

Nekrasov believes that this happened after the death of their common child. It seems that the death of the baby broke the invisible thread between the lovers, and they began to move away from each other. But the poet understands that love still has not died out completely, but everything around says that separation is inevitably on the verge. The hero asks his chosen one only to rush this minute. He does not like the irony of his beloved, because she says better than any confession that the novel will soon come to an end.

This poem is built on oppositions. The image of love is created using a metaphor that compares feelings to a boiling stream. Indeed, in reality, the relationship between Panaeva and Nekrasov flared up sharply, seethed and, having exhausted themselves, cooled down, as if all the water from a boiling vessel had poured out, and it was empty.

The poem has a logical conclusion even without a short ending, in front of which the author has put an ellipsis. The juxtaposition of love with a river is the last proof that the poet brought to try to reach an understanding of the chosen one.

Epithets such as "jealous anxieties" play an important role here. Each of them has a negative rating. They are opposed to positive epithets, such as "dearly desire." This neighborhood hints at constant mood swings in a couple in love.

Nekrasov sees the actions of a man and a woman as an active manifestation of love, but the poet considers the state of mind described by the words "anxiety" and "thirst" to be without the desired feeling.

It is worth paying attention to the unusual rhythm and rhyme. The poem is written with iambic pentameter. However, there are so many pyrrhicas here that the rhythm is lost, as if an overly agitated man is holding his breath. This feeling is enhanced by the short ending line at the beginning.

Nekrasov is a master of words. In just fifteen lines, he managed to tell the reader the love story of two people who lost it, confusing a high feeling with low passions.