The forest covered its peaks,
The garden bared its brow
September is dead, and the dahlias
The breath of the night burned.

But in a whiff of frost
One of the dead
Only you are the one, the queen-rose,
Fragrant and magnificent.

In spite of cruel trials
And the wickedness of a dying day
You are outlines and breaths
In the spring you blow at me.

Analysis of Fet's poem "Autumn Rose"

Personal experiences associated with the tragic death of Maria Lazic left a deep mark in the work of Afanasy Fet. The feeling of oppression and remorse could not brighten up either the poet's quite prosperous marriage, or the financial prosperity he strove for all his life. After Fet's death, among his working papers, they found a manuscript with poems dedicated to his beloved, the existence of which no one suspected. Even the poet's legal wife did not assume that his borderline state on the verge of insanity was associated with the premature death of a girl whom Fet sincerely fell in love with many years ago, but did not dare to associate his fate with her because of mercantile interests.

The few poems that Fet published in the last years of his life were also overshadowed by the bitterness of loss, the depth and severity of which the poet realized only years later. He realized that there is nothing more valuable than love, which cannot be replaced by money, luxury and position in society. However, not knowing what the poet feels, few could have assumed that the allegories to which he often resorted in his work are directly related to the image of Maria Lazic. This can be easily traced in a work called "Autumn Rose", which was written in 1886. The author tells how the weather changed abruptly, and one night frost struck, which transformed the entire garden, turning it into a dead desert. Dahlias, so beloved by Fet, died, which were “burned by the breath of the night”. However, the lonely "queen-rose" under the influence of the deadly cold not only survived, but also blossomed, becoming "fragrant and magnificent." It is not difficult to guess that in this wondrous flower the poet saw the prototype of his beloved, who passed away, but at the same time continues to be present not only in the heart, but also in Fet's everyday life, giving him hope for a quick meeting. “You are blowing at me with your outline and breath in the spring,” the poet notes, referring not only to the fragrant rose, but also to the deceased Maria Lazic. However, he does not want to put up with her death and reads that the girl is invisibly present somewhere nearby.... This means that he can still regain lost happiness and revive old feelings "in spite of cruel trials." It is worth noting that such illusions had a very detrimental effect on the state of mind of the poet, who several times tried to commit suicide, hoping in this way to speed up the meeting with his beloved, before whom he felt guilty for shattered hopes.

Afanasy Afanasevich Fet

For the sigh of the morning frost,
Blushing the lips,
How strange the rose smiled
On the day of fast September!

Before the fluttering tit
In the long leafless bushes
How daring to act as a queen
With spring greetings on our lips.

Blossom in unswerving hope -
With a cold parting ridge,
Snuggle up last, intoxicated
To the breast of the young mistress!

"The garden is all in bloom", filled with the voices of birds, the buzz of insects and the scent of plants, is an important component of the artistic space of a rural estate. Among the frequent details of the Fetov garden topos, images of flowers stand out. "Sinlessly pure" children of nature are likened to spring and young female beauty. They are associated with uplifting and inspiration, with a feeling of happiness, which is metaphorically characterized as a “blooming heart”. Contemplation of dahlias, called "living odalisques", or the first lily of the valley, a precious "gift of spring", helps the hero to plunge into the ideal world of nature.

Among the Feta flower splendor, the highest status belongs to the image of the rose, which is honored with the titles of goddess and queen. In a poem from 1890, the garden queen does not lose her splendor, successfully withstanding the first autumn cold.

The leading image of the work is created according to the principles of anthropomorphism: the rose is endowed with the ability to smile “strangely”, act “boldly”, and stubbornly dream. The portrait of the character, in which the hero draws attention to the ruddy lips, resembles a woman's appearance rather than an image of a flower. A similar artistic technique is applied to another natural detail - frost. His personification is organized using the lexeme "sigh", usually used to describe living things.

What is the insolence of the rose? The central and final quatrains are devoted to the explanation of this definition: the mysterious attractive flowering against the background of general wilting is interpreted by the lyrical subject as a bold act, a majestic gesture of a truly royal person. Among lifeless, leafless bushes, a lush and bright bud looks especially expressive.

The poem consists of the hero's impressions, generated by an unusual sight. Recalling the spring and the "unswerving" undying hope, the image of the rose serves as an example of vitality and a symbol of genuine faith.

The blossoming during the period of general wilting is mentioned in the work "Autumn Rose", which appeared four years before the analyzed text. The emotions of the lyrical hero, who met a fragrant plant “between the dead” brothers, are also similar: admiration for courage, firmness before the “cruel test” of time. The image of the garden queen symbolizes the life-affirming principle and serves as a source of consolation, easing the autumnal sadness of the lyrical self.

A. A. Fet wrote a lot of poems about nature, in which he tried to convey his state of mind, thoughts and feelings. Afanasy Afanasyevich was visited by unhappy love (for Maria Lazich) and therefore, it seems to me, in many poems there is a longing for her.
Reading this poem, you feel some sadness in your soul, as the sad late autumn is described. Autumn is a time of rest, a time of leaving and parting, a time of reflection. It is filled with emptiness. One gets the impression that outside of autumn there is nothing but eternity. But at the same time, the good news is that the only rose does not want to let go of the warm season, therefore it “blows in spring”.
The title of the poem reflects the whole plot. It is addressed to the most beautiful and divine rose flower.
He showered the forest with its "peaks,
The garden bared its forehead.
At the beginning of the poem, the author shows a very real autumn with the help of personification: the garden has bare, September has died.
At first, Fet expresses great regret, because with the onset of autumn, bright colors disappear, long torrential rains begin, damp and mud all around. Yearning. But then, as if by chance, he notices the magnificent creation-rose:
But in a whiff of frost
One of the dead
You are the only one, the queen of the rose,
Fragrant and magnificent.

And then he realizes that life goes on, that the flower will remind him of sunny days and take him to the future, closer to spring. Thus, there is a change of pictures in the poem.
The poet erects a rose on a pedestal, calls it a queen, considers it one and only:
You are the only one, the queen of the rose,
Fragrant and magnificent.
This is how the lyrical conflict is resolved. A magnificent rose helps the poet not to fall into the autumn blues: In spite of the cruel trials And the malice of the dying day You are blowing at me with shape and breath In spring.

NATIONAL EDUCATIONAL PROGRAM

"INTELLECTUAL CREATIVE POTENTIAL OF RUSSIA"

Research competition "FIRST STEPS INTO SCIENCE"

Section: LITERATURE STUDIES

The image of flowers in the lyrics

MOU "Zhukovskaya municipal secondary general education

school number 1 named after »Zhukov

Supervisor: ,

At first glance, the poem seems like a picture, skillfully sketched from nature. Fet was called the poet of the moment, he values ​​every moment very much and tries to show us his amazing uniqueness.

skillfully poeticizes the usual prosaic picture, which is expressed in the sentence: Leaves flew in the garden and in the forest... He's writing:

The garden covered its peaks, // The forest bared its forehead ...

Fet had the ability to strike a spark of poetry out of everything, to see it where others would see the gray everyday life.

In the first two lines, he uses alliteration, the sound [s] seems to convey the quiet rustle of falling leaves. The use of verbs: showered, stripped complements the picture of the beginning of autumn and serves as a means impersonation.

Fet's nature is alive, it acts: "September has died" ... and as a magician enchanted the dahlias - they froze. And only the rose does not succumb to his charms, it is still "fragrant and magnificent", because it is a queen and is not going to be subject to anyone.

Lots of inversions: showered the garden, September died ... strengthen the purpose of the text - to describe the autumn picture. Iambic tetrameter very calm and unhurried:

Showered the garden with its peaks

_ _/ _ _/ _ _/ _ _/ _

The forest bared its forehead

_ _ _ _/ _ _/ _ _/

The description of the beauty of the autumn garden is accompanied by an intonation of slight sadness: "September has died" ... - and the garden is empty. The poet conveys his emotional state, and we perfectly feel all the nuances of his attitude.

Poem "September rose" written November 22, 1890.

September is the first month of autumn, the days have become shorter, as the poet said, “leafless bushes” are “fast-flowing”, and a rose blossoming “in a steady hope” acts as a queen, reminding of spring - “with spring greetings on our lips”. The intonation of the poem is even, smooth, there are no abrupt transitions, ups and downs. using various means of poetic language: personifications, epithets, metaphors- helps us see the beauty of the phenomena of life and experience the joy of discovery.
Fet does not depict in detail the flower itself, but the impression and sensation that it evokes. Epithets not so much characterize the subject as express the mood of the poet.

In spite of cruel trials
And the wickedness of a dying day
You are outlines and breaths
In the spring you blow at me.
("Autumn Rose")
In the long leafless bushes
How daring to act as a queen
With spring greetings on our lips.
("September rose")

The lines are filled with optimism, built on light motives and images. For example, in spite of withering nature, morning frosts, a rose with its fragrance, its regal article blows in spring, when the world of love, happiness, and hope opens up. Maybe spring helps the poet to convey the most important thing - joyful acceptance of the world around him, quivering delight, the ability to touch the beauty with his heart. Fet calls the rose a queen, widely using the technique impersonations, animates her, endows with human emotions: Blushing the lips,
How strange the rose smiled ...

Rose is a constantly emerging image in Fet's lyrics. In the poem " The Rose" a hymn to the flower sounds, which personifies the inexplicable, incomprehensible, fragrant world of love. No goddess can tell the Earth what this flower tells her.

When reading a poem, we first of all perceive the atmosphere of spring - the happy awakening of nature (“ trills of May "," birch in the green "," the bee sings ") and a premonition of love (" the immense, incomprehensible, fragrant, blessed world of love in front of me ")... The poet "revives" familiar landscapes with fresh colors, interspersed with

description of unexpectedly vivid, visible images: “ at the purple cradle ”,“ birch in the green ”,“ bright scroll ”,“ blue air ”. Observing the reviving nature, the poet emphasizes once again the idea that spring is associated with the dream of love, and the rose is a symbol of love. Emotions of delight caused by the arrival of spring permeate the entire poem.

Fet's nature seems to dissolve in a lyrical feeling, serves as a means of its expression: we have the atmosphere of spring, "laziness is a birch", we perceive the atmosphere of spring, the happy awakening of nature, its amazing uniqueness

If the morning makes you happy

If you believe in a magnificent sign, -

At least for a while, for a moment in love,

Give this rose to the poet.

At least you will love someone, at least you will carry
You are not one everyday thunderstorm, -
But in a tender verse you will find
This ever-scented rose

This poem was written on January 10, 1887. Fet enjoys the wonderful scent and harmonies of the wonderful flower forms. We are talking here about a human feeling - about love, and we know that a rose is a symbol of love. The poet uses this demonstrative pronoun, emphasizing the concreteness and accuracy of the detail - the flower. The poem is written triple size with stress on the 3rd syllable - anapest:

If the morning makes you happy

_ _ _/ _ _ _/ _ _ _/

Reruns give emotional richness:

If it pleases ... if you believe ...

At least for a moment ... .. at least someone

This rose ...

said: "Fet took a step in our direction." The poems are distinguished by musical sophistication, they are smooth, melodious, melodic.

wrote: "Give us, first of all, in the poet, his vigilance in relation to beauty, and the rest in the background." Vigilance to beauty, the ability to see and make to see is manifested in the landscape lyrics of this wonderful poet. Fet saw primarily in simple natural phenomena.

I will only meet your smile

Or I will catch your pleasant glance, -

I'm not singing a song of love for you,

And your beloved beauty.

They say about the singer at dawn,

Like a rose trill in love

He is glad to praise incessantly

Over her fragrant cradle.

But it is silent, magnificently pure,
The young lady of the garden:
Only the song needs beauty

Beauty does not need songs either.

The motive of beauty is the leading one in Fet's poetry. He makes her feel in everything: in the swaying of grasses, in the breath of the wind, in the flight of a moth, at the onset of the morning, in the look of his beloved eyes, in a smile. The symbol of beauty in Fet's poetry is the rose. This flower is perfection. The poet admires her impeccable beauty and is ready to admire her with joy.

The main principle of Fet's composition is parallelism in the depiction of nature and man. What happens in nature, the same happens in the human soul. The human is expressed in natural phenomena, and the natural in the language of emotional experiences. The poem is melodic. This is facilitated by a special intonation, a kind of phonetics (there are more vowels than consonants), rhythm (open syllables), repetitions, inversions - all this gives smoothness and melodiousness to the poem.

Conclusion.

The world of flowers is the world of beauty.

teaches us to feel the beauty that is generously spilled in nature itself. It is natural and inexhaustible. She is the source of the culture of many generations. We are delighted with the blue lakes of forget-me-nots, golden meadows of dandelions, white placers of daisies. They will remain in the melodies of musicians, on the canvases of artists and in the poems of poets.

Flowers accompany a person in all significant events of his life. When do we refer to flowers? Newborns are welcomed with flowers, children go to school for the first time with flowers. Flowers delight people at weddings and holidays. Both at home and at work, in spring and in severe cold, in hot summer and autumn, flowers are necessary for a person: without their beauty, our life becomes poorer. This is probably why many poets turned to the images of flowers. Wonderful lines dedicated to flowers invite us to stop in the everyday bustle, listen and see what beauty surrounds us. The miraculous is near, and the world is beautiful!

Behind us is noise and dusty tails-
Everything has settled down! One thing is clear -
That the world is formidable and beautiful,
Which is easier where there are fields and flowers.
(N. Rubtsov)

Bibliography:

Fet rain - Tula: Priokskoe book publishing house, 1983. Fet, poems - M .: Fiction, 1980. Grigoriev poetry of the XIX-XX centuries - Moscow: Nauka, 1985. About poetics - Literature at school # 8, 2000.

Application.

Feta.

The first lily of the valley

Oh first lily of the valley! From under the snow

You ask for the sun's rays;

What a virgin bliss

In your fragrant purity!

As the first ray of spring is bright!

What dreams descend in him!

How captivating you are, gift

Incendiary, spring!

So the maiden sighs for the first time,

What, it is not clear to her, -

And a timid sigh smells sweet

Excessive young life.

Autumn rose.

The forest covered its peaks,
The garden bared its brow
September is dead, and the dahlias
The breath of the night burned.

But in a whiff of frost
One of the dead
Only you are the one, the queen-rose,
Fragrant and magnificent.

In spite of cruel trials
And the wickedness of a dying day
You are outlines and breaths
In the spring you blow at me.

September rose.

For the sigh of the morning frost,
Blushing the lips,
How strange the rose smiled
On the day of fast-flying September!

Before the fluttering tit
In the long leafless bushes
How daring to act as a queen
With spring greetings on our lips.

Blossom in unswerving hope
With a cold parting ridge,
Snuggle up last, intoxicated
To the breast of the young mistress!

the Rose
At the purple cradle

May trills rang

That spring has come again

A birch bends in the green,

And to you, the queen of the rose,

The marriage hymn is sung by a bee.

See see! happiness power

Thy bright scroll has opened

And moistened with dew.

Immense, incomprehensible,

Fragrant, blessed

The world of love is in front of me.

If only thundering

Commanded between flowers

Blossom of the most tender of goddesses,

So that the silent beauty

Call for love when it's spring

The forest is dark and the air is blue, -

Neither Cypriot nor Hebe,

Hiding in the heart the secrets of the sky

And with silence on his brow,

In the hour of blissful blossoming

More passionate confession

They wouldn’t tell the earth.

Afanasy Fet

Autumn rose

The forest covered its peaks,
The garden bared its brow
September is dead, and the dahlias
The breath of the night burned.

But in a whiff of frost
One of the dead
Only you are the one, the queen-rose,
Fragrant and magnificent.

In spite of cruel trials
And the wickedness of a dying day
You are outlines and breaths
In the spring you blow at me.

"Autumn Rose", analysis of Fet's poem

Most people associate autumn with a period of dying in nature. And the poets didn’t pay too much attention to this time of year. Much more often in Russian poetry poems about spring or summer appeared - those seasons when rebirth and prosperity reign in nature.

Perhaps only Alexander Sergeevich Pushkin considered autumn "dull at times, a charm of the eyes." Only he was pleased with the "farewell beauty" and "the magnificent wilting of nature." And the summer was just not too desirable, because everyone knows the poet's lines that he would love a red summer, "if it weren't for the heat, yes, dust, mosquitoes, and flies."

In the poem of Afanasy Afanasyevich Fet, late autumn is described, because "the forest showered its peaks," and "the garden bared its forehead." The use of personifications here is very touching, as if we are faced with absolutely animated characters who say goodbye to their audience, like real actors, taking off their hats in front of them.

Then a new character enters the scene: "October is dead." And suddenly - impersonality: "The dahlias were burned by the breath of the night." As if the author cannot believe that October is capable of such cruelty. And yet, the cold breath of autumn evokes the appropriate mood: longing for the past summer, sadness from the coming long autumn evenings filled with the expectation of a distant spring.

At first glance, the opposition in the second quatrain turns out to be unexpected: "But in a breath of frost ..." only one rose is "fragrant and magnificent."

Indeed, it is at least strange to see a living rose among the dead flowers. A vivid picture emerges before my eyes: the last flowers of autumn - dahlias, frozen and blackened by the "whiff of frost", and a rose, bright, for sure, red, like fire in the darkness. The author calls her the queen. And the hero, frozen and delighted, turns to her respectfully, as to a person of the highest blood: "The Queen of the Rose."

Well, it is quite traditional to consider the rose as the queen of flowers. However, with Fet, she really deserves a high title, because the rose "between the dead is one ... fragrant and magnificent." Isn't that a miracle? Therefore, the hero, who has lost hope for happiness, regains it. It is as if he straightens his shoulders and, together with the rose, confronts "the cruel trials and spite of the dying day."

And again the parallelism, traditional for Fet's poetry, comes into force: for a rose, the “dying day” is an autumn night. But for the hero, the dying day means the onset of old age. This is a fairly common analogy in Russian poetry. And there were many "cruel trials" in the life of Afanasy Afanasyevich himself.

The parallelism of the last lines is also obvious: a rose, which blows with “shape and breath in spring”, means that the hero still feels young, since spring is a time of youth and flowering.

At the end of the analysis, it is simply necessary to remember what great importance Fet attached to the ending, believing that it should be such that not a single word could be added to it. This is the ending of the poem "Autumn Rose". The last quatrain is again built on the parallelism of the hero and the rose: in spite of all the misfortunes ("cruel trials") and the approaching old age ("the malice of the dying day"), the rose with its beauty ("outline") and aroma ("breath") reminds him of eternal youth and beauty. In other words, the hero is already a middle-aged person, but in the “malice of the dying day,” that is, in the extinction of his own life, he still remains susceptible to everything good and beautiful. This is the meaning of the ending.

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