Gone youth

In the first quatrain, the poet conveys his unwillingness to dream about something and hope for something. Behind him, he has several unsuccessful marriages, many high-profile scandals and ... fame. Glory, as he himself put it, "bawdy and brawler." Today, songs are written on his poems, they are included in the school curriculum. His surname is familiar even to those who have not held books in their hands in their entire life. Yesenin is one of the few poets who were recognized during his lifetime. But this confession did not make him happy.

“I don’t regret, I don’t call, I don’t cry” - S. Yesenin wrote these lines in 1921. A year later, he went abroad. Not because he married a foreigner. He met Duncan on time, just when in Moscow everything seemed to have happened that he had hoped for and dreamed of. Only it did not bring satisfaction. And he seized on the shaky hope of changing something.

Chilled heart

Six years earlier, he had arrived in Moscow. And he wrote that everything in his native land was disgusted with him. Then Yesenin still knew little and saw. And, perhaps, he dreamed of fame and fame. He achieved it all. But when a person strives for his goal with his whole being, having touched it, he is disappointed. The analysis of Yesenin's poem "I do not regret, I do not call, I do not cry" conveys the feelings of a person who has gone through a difficult, impetuous path, and who wasted all his strength on the road.

If the image of a tramp, upon arrival in the capital, fascinated him, now he speaks of the vagrant spirit as something that will not stir him up in the future. Comparative analysis “I don’t regret, I don’t call, I don’t cry” and the work “I’m tired of living in my native land” by a person unfamiliar with the work of the Russian poet will mislead. One gets the impression that the time interval between the writing of these two poems is a whole life.

Lost desires

Yesenin bitterly recalls his youthful agility, naivety. Like an old man who has lived a long century. There are people to whom little is measured. They fly downward with acceleration, having time to live, feel and burn out so quickly that it seems they have not even begun to live. Analysis of Yesenin's poem "I do not regret, I do not call, I do not cry" once again confirms the poet's involvement in this type of people. There are very few of them. They, like shooting stars, light up somewhere far away and disappear. But the sight is beautiful. As well as the poems of Sergei Yesenin. His works were loved by many: actors, writers, NKVD officers, cabbies, waiters. Nobody loved him himself ...

Fatigue

He became more stingy in desires, perhaps because he did not know what else he could ask for. From boredom, weariness and emptiness in the soul. They publish his poems, they ask him to go to the stage, everyone is glad to him. But is it genuine joy? Some envied him, others used it, others regretted it, but could not bear it. Scandals and drunkenness are difficult to treat with understanding. The analysis “I don’t regret, I don’t call, I don’t cry” speaks of the devastation of the author of this poem. In the first years of Moscow, he was still delighted at how fascinated they were listening to him on stage, at a party and in a tavern. In order to entertain himself and give his popularity a certain piquancy, he kindled scandals. Sometimes just like that, out of boredom. But now he is no longer interested in all this.

Poetic images

The words with which the poem begins convey an increase in feelings. This poetic device is known in the literature under the term "gradation". Yesenin, undoubtedly, creating them, did not rely on poetic theory. The words themselves lined up in his head. He was a genius master of improvisation. In the poem there are still many artistic techniques and images that the author used unconsciously, intuitively. So, for example, in the words "flood of feelings" you can see a strange, but wonderful combination of natural phenomena and human sensations.

Life is like a dream

The analysis “I don’t regret, I don’t call, I don’t cry” demonstrates how quickly, according to the poet's conviction, his years flew by. Metaphors are used to heighten feelings. He flies on the "pink horse" so fast that it seems to him that he did not live, but had a strange dream. And he ends the poem with sad lines about the withering of all living things. He seems to be comparing himself to the foliage falling in autumn. Sooner or later, the work "I do not regret, I do not call, I do not cry" is dedicated to the melancholy about everything that blooms and dies. The analysis of the poem can be done endlessly. After all, here in every word is hidden a part of the spiritual world of the poet, who passed away at thirty. And at twenty-six I felt that everything was over.

The poem by Sergei A. Yesenin “I don’t regret, I don’t call, I don’t cry” is evidence of a rare poetic skill. Mastery that does not appear as a result of long work, but is given from above. But the one who possesses it, as a rule, leaves early.

“I don’t regret, I don’t call, I don’t cry ...” Sergey Yesenin

I do not regret, do not call, do not cry,
Everything will pass like smoke from white apple trees.
Fading gold covered,
I won't be young anymore.

Now you're not going to beat that much
A heart touched by a chill
And the land of birch chintz
Will not lure you to wander around barefoot.

A vagrant spirit! you are less and less frequent
Stirring up the flame of the mouth
Oh my lost freshness
A riot of eyes and a flood of feelings.

Now I have become more stingy in desires,
My life? Or did you dream about me?
As if I am echoing in the spring
Galloped on a pink horse.

All of us, all of us in this world are perishable,
Copper is quietly pouring from the maple leaves ...
May you be blessed forever
That came to flourish and die.

Analysis of Yesenin's poem "I do not regret, I do not call, I do not cry ..."

The poet Sergei Yesenin rarely turned to the philosophical topic in his lyric works, believing that discussions about life and death are not an important aspect of literary creativity. Nevertheless, in 1921 he wrote a surprisingly subtle and sublime poem "I do not regret, I do not call, I do not cry ...", in which he analyzes his creative and life path, admitting that it is close to completion.

This work, which many literary critics consider a worthy epigraph to the poet's work, was written by Sergei Yesenin at the age of 26. It would seem that there is no reason to think about life at an age when most people are just beginning to feel its taste and beauty. However, it should be borne in mind that Yesenin never belonged to the majority, and his spiritual development was much ahead of his past years. In fact, in parallel, he lived several lives - a poet, a citizen, a drunkard and a rowdy. Therefore, by the time of writing the poem “I don’t regret, I don’t call, I don’t cry ...” in the spiritual sense, he could claim not the role of a young man who is just beginning to reap the first fruits of success, but a gray-haired old man who has come to take stock of life.

The poem begins with a line in which the poet declares that he does not regret anything. However, he himself refutes himself, since this work is permeated with sadness and the realization that the author does not have the opportunity to correct his own mistakes and at least change anything. He does not blame himself or others for this, but only states the fact that "covered with fading gold, I will no longer be young." This phrase can be interpreted in different ways. However, most likely, the poet meant that the time to change something in his life has already passed. Despite the obvious youth, by this time Sergei Yesenin is already quite famous, which is why he has taken place. He tasted glory and the pain of disappointment. And, having gone through difficult life trials, by his own admission, "I became more stingy in desires."

In his perception of life, the poet came very close to Lermontov's hero Pechorin, in whose soul indifference and cynicism are intertwined with meaningless nobility. "You won't be beating so much now, heart touched by a chill" - this phrase by Sergei Yesenin eloquently testifies to the fact that the poet has become disillusioned with many aspects of life, including creativity, the ability to enthusiastically perceive the world around him and worship women. The author notes that even the spirit of a vagabond, inherent in him from birth, less and less often forces his owner to perform acts worthy of a true poet. Looking back at his short life, Yesenin is in some bewilderment and confusion, believing that it is more like a dream or a mirage through which he "rode on a pink horse." And it is precisely this half-forgotten feeling, which the poet is no longer able to return, makes him look at his own life in a new way, claiming that youth is over, and with it that amazing feeling of happiness and carelessness, when Yesenin belonged to himself and was free do as he sees fit.

No, the poet is not oppressed by the obligations and conventions of society. Moreover, he is well aware that "we are all perishable in this world." And the understanding of this simple truth compels the author to thank the Creator for what he was given "to prosper and die." The last phrase of the poem not only testifies to the fact that Yesenin is grateful to fate for everything, and if there was such an opportunity, he would have lived his life in the same way. In the final line of the poem, there is a premonition of imminent death, which turned out to be prophetic. Four years later, he will be found hanged in a room at the Leningrad hotel "Angleterre", and his death is still shrouded in mystery.

The landscape poetry of S. Yesenin is studied in grades 1-4. The philosophical layer of the poet's creativity is difficult for younger students to understand, but senior students get to know him with pleasure. The high school curriculum includes a poem that will be discussed. We suggest that you familiarize yourself with a brief analysis “I don’t regret, I don’t call, I don’t cry” according to the plan.

Brief analysis

History of creation- came out from the pen of the poet in 1921, was first published in the magazine "Krasnaya Niva" in 1922

Poem theme- the transience of human life, memories of youth.

Composition- The work is essentially divided into 2 parts: the lyrical hero's memories of youth, meditations on the eternal question of life and death. Formally, the poem consists of five quatrains, each of which continues the previous one in meaning.

genre- elegy.

Poetic size- pentameter trochee, ABAB cross rhyme.

Metaphors – "Covered with wilting gold, I will not be young anymore", "the country of birch chintz", "Wandering spirit", "flame of the mouth", "copper is quietly pouring from the maple leaves."

Epithets – "Lost freshness", "I am stingier."

Comparisons- “Everything will go away like smoke from white apple trees”, “as if I rode a pink horse in a spring early, echoing”.

History of creation

The analyzed poem S. Yesenin wrote in 1921, when he was 26 years old. It would seem that it is too early to think that youth has passed, and death is inexorably approaching. However, the beginning of the twentieth century was marked by war. The poet was not a participant in the military events, but entered the Tsarskoye Selo military hospital train. There he learned that life borders on death. By the time of writing the poem, Sergei Alexandrovich had already published several collections. In the same 1921 he met a woman with whom he started a family. These facts explain why the poet considered himself a mature person.

Often the history of the writing of the work is associated with "Dead Souls" by N. V. Gogol. In the lyrical digression of the story there are lines, the meaning of which was reflected in Yesenin's creation: ... what would have awakened in previous years a lively movement in the face, laughter and silent speech, now slips by, and my motionless lips keep indifferent silence. Oh my youth! oh my freshness! "

For the first time the poem saw the world on the pages of "Krasnaya Niva" in 1922.

Theme

Reflections on human life are traditional for world literature. S. Yesenin in the analyzed poem revealed the theme of the transience of human life, with which the motive of memories of the young years is closely connected. In the center of the work is a lyrical hero. Lines are written in first person singular.

Already in the first verses, the man admits that he does not regret that youth is gone forever. At times he considers his maturity to be withering, but withering is golden. Apparently, the hero understands that the past years have given him invaluable experience. He is already alien to youthful amusements, he does not want to "hang around barefoot" anymore, even his heart beats differently now.

Together with youth, the "vagrant spirit" was left behind, so the speech of a mature man is thought out, calm, and his eyes are no longer filled with violence. S. Yesenin believes that with age, feelings cease to seethe.

The lyrical hero also notices that he has fewer desires. At some point, he begins to doubt whether he dreamed of what he calls youth. During these reflections, an original metaphorical image of youth is born. S. Yesenin calls her a pink horse. The pink color symbolizes carelessness, and the horse symbolizes the fast running of young years.

In the last quatrain, the author summarizes what has been said, therefore it is written in the first person plural. The lyrical "we" repeats the well-known truth: "we are all perishable in this world." Every day a person is slowly approaching the end of his life. It will always be so, therefore S. Yesenin "blesses both life and death."

Composition

The poem is divided into two semantic parts: the lyrical hero's memories of youth, meditations on the eternal question of life and death. Formally, it consists of five quatrains, each of which continues the previous one in meaning. The last quatrain is a conclusion that allows the author to make the philosophical component more expressive.

genre

The genre of the work is an elegy, since the author ponders over eternal philosophical problems. Although the lyric hero claims that he “does not regret, does not call, does not cry,” a sad mood prevails in the monologue. The poetic meter is a pentameter trochee. The rhyme in the text is cross ABAB, there are male and female rhymes.

Expression tools

To convey the thoughts and emotions of the lyric hero S. Yesenin used means of expression. Their set is dominated by individual author's paths. The main role in the work is played by metaphors: "Fading gold covered, I will not be young anymore", the country of birch chintz "," The vagrant spirit "," the flame of the mouth "," copper is quietly pouring from the maple leaves. " Landscapes are complemented epithets: "Lost freshness", "I'm stingier" and comparisons- “everything will pass, like smoke from white apple trees”, “as if I rode a pink horse in a spring, echoing early”.

Poem test

Analysis rating

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What is the sense of life? Everyone seems to be asking this question. It is certainly necessary to grow up to him spiritually, because the search for the meaning of life is a philosophical category. The solutions to the problem of human existence cannot be found either on the Internet, or in books, or in films. There is no right answer to this question: each person has his own destiny. It often happens that people either lose the meaning of existence, or do not find it at all. The poem “I don’t regret, I don’t call, I don’t cry ...” is a reflection of Sergei Yesenin on this topic. To better understand the thoughts of the Russian poet, let us turn to a detailed analysis of the work from the Many-Wise Litrecon.

Authors' biographies often have a great influence on works. So, the poem "I do not regret, I do not call, I do not cry ...", written in 1921, conveys the mood of the poet during this period of his life. The 1920s were marked by not very pleasant events: violent actions in Russian history, a break with Zinaida Reich, strained relations with the Soviet authorities. Sergei Yesenin, starting from this time, more than once turns to the philosophical topic. He draws certain conclusions about his own life, and they often turn out to be bleak.

Yesenin wrote this poem under the impression of the lyrical introduction to Dead Souls. There, the writer reflects on the transience of life and departed youth. He complains that his feelings have dulled, curiosity has disappeared, and each new impression is no longer pleasing to the eye.

Now I indifferently drive up to every unknown village and indifferently look at its vulgar appearance; my chilled gaze is uncomfortable, I'm not funny, and what would have awakened in previous years a lively movement in the face, laughter and incessant speech, now slips by, and my motionless lips keep indifferent silence. Oh my youth! oh my freshness!

Genre, direction, size

• The genre is an elegy. This poem reveals the hidden corners of the poet's soul. He endowed every line with intimate feelings, imbued with a mood of sadness.
• Direction - Imagism. In the 1920s, several works were published, sustained in this modernist trend.
• The poem “I don’t regret, I don’t call, I don’t cry ...” was written by a five-foot chorea. Yesenin uses cross rhyme.

Composition

Formally, the work consists of five quatrains, in each of which the lyrical hero describes his feelings with emotional growth.

1. The very first lines are the beginning of the author's thoughts. They are covered with sadness, but he is just starting to develop this topic.
2. Further, Yesenin acquaints the reader with his youth, as with a whole country - a place where everything is good, and life is carefree and cheerful.
3. At the climax of the poem, the poet seems to understand that he himself has changed (“I have now become more stingy in desires”).
4. By the end, Sergei Yesenin realizes that we are all doomed to such a fate that the time has come to "prosper and die."

Images and symbols

The central image of the poem is a lyrical hero experiencing an internal conflict: "I will not be young anymore." Longing for youth and freshness of impressions makes him sad and regret that happiness is already behind him. Of course, the lyrical hero conveys the feelings of Sergei Yesenin himself. At the age of 26, he managed to oversaturate his own life. The poet understands that his youth is somewhere far away, that he is "covered with fading gold" "has become more stingy in desires."

The poem is also filled with symbols of youth: "the country of birch chintz", "rode on a pink horse", "white apple trees smoke". The pink color symbolizes carelessness, and the horse symbolizes the rapid pace of young years, smoke symbolizes the fleetingness and illusion of youth, and the apple trees remind the reader of the spring, which so quickly changed in the fall - "fading with gold." Yesenin recalls his youth as a distant pleasant memory that evokes melancholy, because it has passed, gone, slipped away ...

Topics and problems

1. The main theme of the poem “I don’t regret, I don’t call, I don’t cry” is the transience of youth. The poet not only recalls his youth, but also realizes that this blessed time will no longer be repeated, and it was with her that he associated hopes and expectations of a better future.
2. The theme of a beautiful and "blessed" youth also plays an important role in the work. Yesenin describes with love and nostalgia what he felt in his youth. A frantic ride on a pink horse - this is the feeling for which the lyrical hero is now only languishing.
3. The defining problem of this poem was the yearning for youth. The past years have flashed by very quickly, they are like a dream. Now nothing can be fixed or changed. Ahead is only the wilting of autumn, which will not replace the "flood of feelings" of springtime.
4. The problem of indifference and coldness haunts the poet in the last years of his life. Under the influence of wilting, he changed: he became less emotional, "stingy in desires."

Main idea

The meaning of the work "I do not regret, I do not call, I do not cry" is very instructive. Citing his own example, Sergei Yesenin wanted to save readers from unpleasant thoughts, to warn against empty burning of their lives (“we are all perishable in this world”). We need to think about the fact that each new day brings us closer to death and that not a minute should be lost. It will always be so, therefore Yesenin "blesses both life and death." How could it be otherwise?

The main idea of ​​this poem is humility with inevitability and a bright longing for what still bloomed, which means that it was not in vain that it came into this world.

Expression tools

• To convey a melancholy mood, Sergei Yesenin uses a large number of epithets: "lost freshness", "decay" and so on.
• The poet also uses metaphors to describe his youth: "white apple trees smoke", "country of birch calico" and others.
• At the end of the poem, one cannot fail to note the laconic lexical construction: copper pouring from the maple leaves as slowly fading life.

We can say that the poem “I don’t regret, I don’t call, I don’t cry ...” is built on the principle of gradation, since the emotional significance of the work increases markedly towards the end of the work.

The Literaguru team took up the consideration of Yesenin's poetry. One of his most famous poems is “I don’t regret, I don’t call, I don’t cry.” Now many musicians sing it to music, make original songs and even videos. Why is the poem, which will soon be one hundred years old, still so popular?

The poem by Sergei Alexandrovich Yesenin "I do not regret, I do not call, I do not cry" was written in 1921, when the author was 26 years old. It belongs to the late period of the poet's work and is an example of philosophical lyrics. It was first published in the Krasnaya Niva magazine in 1922.

It was the lyrical introduction to the sixth chapter of "Dead Souls" by Nikolai Vasilyevich Gogol that inspired the author to create this work.

Genre, direction, size

The genre of this work is elegy. This is a lyric poem in which the author shares his deeply personal and sad feelings. The author reflects on the past life and that the past cannot be returned. Although the lyric hero claims that he “does not regret, does not call, does not cry,” a sad mood prevails in the monologue.

The size of the work is chorea (two-syllable foot with stress on the first syllable and subsequent odd syllables).

Images, symbols, composition

The poem is filled with the young poet's longing for his passing youth. He understands that he is a prisoner of the transience of life, and he cannot do anything about it. In structure, the work is a short monologue between the author and his reader. As with his best friend, he shares his sincere feelings about life and youth.

In this poem, as in all Yesenin's lyrics, figurative and symbolic turns of speech prevail. The images of spring are associated with the poet's youth, but over time, autumn comes, and takes away his youth and memories, the once green leaves turn yellow and fall from the branches, just as the memories of young years fade away. Old age comes, it is inevitable, and the author realizes this, despite his young 27 years.

The presence of images and symbols in this work proves that this is indeed a philosophical reflection. To convey emotionality in the poem, the author uses exclamations, questions and frequent addresses: "Wandering spirit!", "My life?" The metaphor "pink horse" symbolizes a romantic and carefree life during his youth. "The country of birch chintz" also symbolizes youth, a country where everything was easy and careless, but to which he will never be able to return.

Topics and problems

Many poets have raised, are raising and will continue to raise the topic of human life. The hero of our work, i.e. young Yesenin himself, with a heavy heart, realizes that youth has passed, life is not the same, and he is no longer as young and fervent as in the old days. He is now alien to youthful fun, he no longer wants to "hang around barefoot." His soul is no longer hot, his gaze is not fervent, even his heart is beating differently now.

Sergei Alexandrovich Yesenin in this work reflects on the transience of life and the suddenness of death. The poet bitterly realizes that there is nothing eternal in this world, and the life of each of us sooner or later comes to an end. Old age is inevitable, and youth is so short and elusive that every second of carefree fun is worth enjoying and appreciating.

Meaning

The main idea of ​​this work is the suddenness of any life. The author wants to show that we are all mortal, that youth always leaves quickly and imperceptibly, but you should not regret it, we just have to come to terms with it. “I don’t regret, I don’t call, I don’t cry” - these lines were written three years before the poet's death. Perhaps even then he had a presentiment of the approach of imminent death.

Also, the idea of ​​the whole poem can be expressed with the line: "We are all, we are all perishable in this world," because sooner or later we will have to come to terms with the departure of youth and the best years of our life. But at the same time, in this poem there is no regret about the past years, on the contrary, there is only the bliss of accepting the transience of life: "Be you blessed forever, That came to prosper and die."

Means of artistic expression

A large number of means of artistic expression are contained in this poem. To convey all the imagery and reality of his thoughts, the author uses unusual metaphors: "country of birch chintz", "white apple trees smoke", "echoing early", "hanging around barefoot."

In general, the poem is characterized by pacification, monotony and slowness. The author compares his dying youth with horse racing, and human life with maple leaves: at first, they are fresh and green, like our youth, but time passes, and sooner or later, the leaves dry up and fall to the ground, like and the life of any of us will end someday. The sad mood of the work is complemented by all sorts of epithets: "perishable", "vagrant", "lost", and "white apple trees", barefoot walks and the feeling of first falling in love take us into the sweetest youthful memories.

In conclusion, Sergei Aleksandrovich emphasizes that any life ends sooner or later (“we are all perishable in this world”) and this is an inevitable process of the entire living world. The last phrase of the poem "prosper and die" testifies to the fact that the author is grateful to fate for his life and youth and, perhaps, already anticipates his imminent death.