Observing the surrounding society, which revolved around Valery Bryusov every day in a rapid cycle, the poet understood that some changes were coming. He absolutely did not accept revolutionary ideas, however, the turbulent events of 1904-1905 forced Bryusov to change his views and rethink everything that was happening around him. Observing what was happening, the poet decided to draw a parallel and remembered the moments of the fall of the Roman Empire. Against the background of such reflections, the poem “The Coming Huns” appears.

What was hidden under the concept of “coming Huns”? This is what the author called the barbarians who appeared in modern society. They were workers and peasants. The author calls them distraught and ready to destroy the centuries-old traditions created by Russia at once.

According to the author, the destruction of the country will begin from within. Those people who were nurtured and raised by Russia will be the initiators of the rebellion. Bryusov presents the phenomenon of revolution as a complete evil, which in no way will benefit the state. At the head of a revolution are always people who crave power and nothing else. The poet is sure that it is necessary to resist those barbarians who infest Russia. He compares them to children who enjoy making bonfires out of books and dancing around them. However, there will be no confrontation, because the strength of the barbarians is great. And those sages who remained are forced to simply run and hide!

Such events are natural. They pursue all civilizations that did not recognize their enemies in a timely manner. And if a mutual and independent decision is not made, then external forces come to “help”, destroying the old foundations and bringing their own innovations! And it is completely useless to resist this! For this reason, Valery Bryusov greets his destroyers with his head held high!

Valery Yakovlevich Bryusov, an extraordinary man, encyclopedically educated, stood at the origins of symbolism.

Brief description of creativity

In his youth, having received an excellent historical education, he could not imagine himself without writing poetry. He positioned himself as no more and no less than a genius. He really did a lot to loosen the field of art that had become ossified after Nekrasov, and created new forms of versification.

He had many followers and students who were significantly ahead of him in creativity. These include such poets who have reached truly the highest heights, such as Alexander Blok and Andrei Bely. That is, the students bypassed their teacher. As a writer, he is interesting from a historical perspective, from which a huge legacy remains, which literary scholars are studying. For the common reader there are only a few works, for example, “The Coming Huns” (Bryusov), an analysis of the poem that will be done below. Bryusov is a symbolist who at times deliberately obscured the meaning of the work, complicating it with its multifaceted nature.

Who are the Huns

From Asia to Europe came the invasion of wild nomadic tribes - the Huns. The name of their leader Attila inspired fear and horror, because the savages destroyed everything in their path. In 451, on the Catalaunian fields in Gaul, eternal enemies stood side by side - Roman centurions and Germans - to stop the destruction of their culture and protect their lives. A bloody battle took place, and the Huns rolled back. In history, their name has become a household name. These are barbarians for whom there are no values, who are only capable of destruction.

They come from nowhere and go nowhere. The poem begins with a metaphorical question-exclamation “Where are these Huns!” Who did the author mean by them? The Russian people, who, when they rise, do not know how to restrain their strength and power, who will crush the entire aesthetic culture, He compares them with a cloud that is still hanging, but has not rained blood on the ground, so it must be assumed that the poet is waiting for blood from the future. With fear mixed with curiosity, he seems to be looking into the abyss, from where he hears the cast-iron stomping, a wonderful epithet chosen by the author, which determines the severity of the invasion and disasters that the coming Huns will bring (Bryusov, analysis of the poem).

Stanza two

Just as he himself once exchanged traditional poetic forms for symbolism, so now Bryusov proposes that the barbarians collapse on everyone, crush them. This is a drunken crowd lost in wine. For what? But we need to shake up the decrepit, ossified world of everyday life, and refresh it.

How? Only blood, which will cover everything in a flaming wave. The coming Huns can give an apocalyptic picture of the destruction that is necessary, in the poet’s opinion. continues in the third stanza and the next stanza).

Stanzas three and four

He invites the slaves to destroy the palaces and sow a field in place of the throne rooms. Then, as a continuation, you should burn books and joyfully dance around the fires.

They don’t need temples either - they should be trashed too. They don’t know what they are doing, so the coming Huns (Bryusov, analysis of the poem shows this) must be forgiven, gospel motives can be heard in this.

In their actions, he sees delight in the process of destroying the past and creating a new, natural, or rather, simplest one. This is a sign of revolutionary times. Such will be the impact of historical changes.

What to do? The age-old question

People shouldn't fight them. We must hide at the turn of change along with our cultural achievements. Will anything cherished be preserved under the flying storm? This is a matter of Chance, which plays, creating chaos, and nothing more. This is how we must act when the coming Huns come. Bryusov (the analysis gives this conclusion) will say that he welcomes everyone. Let everyone and him be destroyed, but he is ready to accept everything and forgive everything. The poem is extremely exalted and filled with pathos. This is emphasized by verbs in the imperative mood. Behind them lies both fear and misunderstanding of what seas of blood will mean when brother goes against brother. How ugly death, death and destruction really are. Hymns of welcome are inappropriate here. Valery Bryusov did not understand this. “The Coming Huns” - analysis of the poem leads to rather gloomy conclusions, in the light of what we know today: civil war, re-enslavement of the peasantry into collective farms, mass repressions and executions. This is a terrible part of our history. In the meantime, in 1905, the poet glorifies the onset of a new world, and these are the coming Huns (Bryusov, the analysis says, will not see the terrible consequences of the 17th year.)

What size is used?

The brilliantly erudite experimental poet did not use conventional poetic forms. He chose something exotic from his piggy bank - a three-strike dolnik. In schematic notation, the first stanza looks like this:

U_ _U_ _U_
_U _ _U _ _U _

U_ _U_ _U_
_ _U_ _U _ _U_

This concludes the analysis of the verse “The Coming Huns.” Bryusov used metaphors, epithets, definitions, but they are characterized in the text.

For schoolchildren

If homework is assigned, then you can make the following heading: “The Coming Huns” (Bryusov) analysis according to plan:

• Size (dolnik).
• Paths (metaphors, epithets, definitions).
• Phonetics (combination of vowels and consonants, their repetition, oxymorons that create alarm bells).
• Genre (message, anthem).

Analysis of Bryusov’s poem “The Coming Huns”

Valery Bryusov wrote the poem “The Coming Huns” for almost a whole year and finished it on August 10, 1905.

In “The Coming Huns” - the most detailed and fully revealing of his attitude to the revolution and understanding of its meaning. Sweep away, break, destroy, destroy - this is the main meaning of the revolution, as Bryusov saw it. What will happen next, what concrete world will emerge from the ruins of the past, how it will actually be built - all this seemed to Bryusov in a very abstract form.

In Bryusov, during the years of the first Russian revolution, faith in the supreme unity of human culture was shaken. He had to almost physically feel that he and his contemporaries and literary associates were standing on the border of two cultures - one dying, the other emerging and, for now, dark and alien. It was that feeling of historical cataclysm that dictated to him “The Coming Huns” - poems about the death of culture and the wild renewal of the world. Since then, this feeling has not left Bryusov.

Speaking about the “coming Huns,” he speaks of those barbarians whose invasion Herzen foresaw. At the same time, it also sounds like a premonition of the events that followed soon after. One of the stanzas begins like this:

Stack books like fires,

Dance in their joyful light,

You create abomination in the temple,

You are innocent of everything, like children!

And we, sages and poets,

Keepers of secrets and faith,

Let's take away the lit lights

In catacombs, in deserts, in caves.

In other words, he foresaw a spiritual underground that would save culture when the “coming Huns” laid down the old “books as bonfires.”

Bryusov's most sincere and probably most powerful poem, "The Coming Huns," perfectly demonstrates the ideology of the Silver Age.

Where are you, future Huns,

What cloud hangs over the world?

I hear your cast iron tramp

Along the not yet discovered Pamirs.

And the poem ends like this:

Perhaps it will disappear without a trace

What only we knew.

But you, who will destroy me,

I greet you with a welcome anthem!

What a suicidal hymn, what a complex man, many readers of that time thought enthusiastically. But Bryusov is a man, although talented, not at all complex, but on the contrary, primitive and even with a primitive cunning, so that the Huns will take into account his anthem. And the Huns, having appeared, really took this hymn into account and spared Bryusov himself and even slightly exalted him.

Bibliography

To prepare this work, materials were used from the site http://www.coolsoch.ru/

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"Analysis of Bryusov's poem “The Coming Huns”"

Valery Bryusov wrote the poem “The Coming Huns” for almost a whole year and finished it on August 10, 1905.

In “The Coming Huns” - the most detailed and fully revealing of his attitude to the revolution and understanding of its meaning. Sweep away, break, destroy, destroy - this is the main meaning of the revolution, as Bryusov saw it. What will happen next, what concrete world will emerge from the ruins of the past, how it will actually be built - all this seemed to Bryusov in a very abstract form.

In Bryusov, during the years of the first Russian revolution, faith in the supreme unity of human culture was shaken. He had to almost physically feel that he and his contemporaries and literary associates were standing on the border of two cultures - one dying, the other emerging and, for now, dark and alien. It was that feeling of historical cataclysm that dictated to him “The Coming Huns” - poems about the death of culture and the wild renewal of the world. Since then, this feeling has not left Bryusov.

Speaking about the “coming Huns,” he speaks of those barbarians whose invasion Herzen foresaw. At the same time, it also sounds like a premonition of the events that followed soon after. One of the stanzas begins like this:

Stack books like fires,

Dance in their joyful light,

You create abomination in the temple,

You are innocent of everything, like children!

And we, sages and poets,

Keepers of secrets and faith,

Let's take away the lit lights

In catacombs, in deserts, in caves.

In other words, he foresaw a spiritual underground that would save culture when the “coming Huns” laid down the old “books as bonfires.”

Bryusov's most sincere and probably most powerful poem, "The Coming Huns," perfectly demonstrates the ideology of the Silver Age.

Where are you, future Huns,

What cloud hangs over the world?

I hear your cast iron tramp

Along the not yet discovered Pamirs.

And the poem ends like this:

Perhaps it will disappear without a trace

What only we knew.

But you, who will destroy me,

I greet you with a welcome anthem!

What a suicidal hymn, what a complex man, many readers of that time thought enthusiastically. But Bryusov is a man, although talented, not at all complex, but on the contrary, primitive and even with a primitive cunning, so that the Huns will take into account his anthem. And the Huns, having appeared, really took this hymn into account and spared Bryusov himself and even slightly exalted him.

Bibliography

To prepare this work, materials were used from the site http://www.coolsoch.ru/

Abstract: Analysis of Bryusov’s poem “The Coming Huns”

Valery Bryusov wrote the poem “The Coming Huns” for almost a whole year and finished it on August 10, 1905.

In “The Coming Huns” - the most detailed and fully revealing of his attitude to the revolution and understanding of its meaning. Sweep away, break, destroy, destroy - this is the main meaning of the revolution, as Bryusov saw it. What will happen next, what concrete world will emerge from the ruins of the past, how it will actually be built - all this seemed to Bryusov in a very abstract form.

In Bryusov, during the years of the first Russian revolution, faith in the supreme unity of human culture was shaken. He had to almost physically feel that he and his contemporaries and literary associates were standing on the border of two cultures - one dying, the other emerging and, for now, dark and alien. It was that feeling of historical cataclysm that dictated to him “The Coming Huns” - poems about the death of culture and the wild renewal of the world. Since then, this feeling has not left Bryusov.

Speaking about the “coming Huns,” he speaks of those barbarians whose invasion Herzen foresaw. At the same time, it also sounds like a premonition of the events that followed soon after. One of the stanzas begins like this:

Stack books like fires,

Dance in their joyful light,

You create abomination in the temple,

You are innocent of everything, like children!

And we, sages and poets,

Keepers of secrets and faith,

Let's take away the lit lights

In catacombs, in deserts, in caves.

In other words, he foresaw a spiritual underground that would save culture when the “coming Huns” laid down the old “books as bonfires.”

Bryusov's most sincere and probably most powerful poem, "The Coming Huns," perfectly demonstrates the ideology of the Silver Age.

Where are you, future Huns,

What cloud hangs over the world?

I hear your cast iron tramp

Along the not yet discovered Pamirs.

And the poem ends like this:

Perhaps it will disappear without a trace

What only we knew.

But you, who will destroy me,

I greet you with a welcome anthem!

What a suicidal hymn, what a complex man, many readers of that time thought enthusiastically. But Bryusov is a man, although talented, not at all complex, but on the contrary, primitive and even with a primitive cunning, so that the Huns will take into account his anthem. And the Huns, having appeared, really took this hymn into account and spared Bryusov himself and even slightly exalted him.